Reading Photographs

Reading Photographs

Tom Morton
Tom Morton

Tom MortonGuest Contributor, BC Heritage Fairs Society.

Tom Morton is the former coordinator of the BC Heritage Fairs and still serves as a director. He taught at the high school and university levels for more than 30 years in Kabala (Sierra Leone), Montreal and Vancouver. He is the author of numerous articles and books on education. Tom has received the British Columbia Social Studies Teacher of the Year Award, the Governor General’s History Award for Excellence in Teaching and the Kron Award for Excellence in Holocaust Education.

Why did you want to become a history teacher?
As a child I was curious about stories: how my mum came here alone on a free train ticket from Winnipeg; why there was a gas mask in our attic. As an adult I love a good story but I also like to peel back the cover to see how the story was constructed. 

How did you become a history teacher?

Certainly through course work and teacher training, but mostly through on-the-job learning. There is a saying that one learns history by doing history—formulating questions, looking at evidence and the like. I became a history teacher by doing history teaching—preparing lesson content and teaching strategies, studying student responses, planning with colleagues and more of the countless things that teachers do.

Stories by or about this person

What stories of the Cariboo Gold Rush do photos help to tell? Watch this short tutorial on how to take a photograph from simple face value to deeper inferences about the past.

Photographer Fredrick Dally’s story is highlighted to give you more insight into his images of BC’s Gold Rush.

Don Bourdon
Don Bourdon

Don BourdonCurator, Images & Paintings

Why did you want to become a curator?

I decided to become a self-styled curator when I was ten years old (in 1966). I started my own human and natural history museum in celebration of one of BC’s many centennials—the union of the two crown colonies of Vancouver Island and British Columbia. What a weird little kid! I loved the stories associated with objects and collections and I still do. Throughout my career as an archivist I have been able to curate exhibitions as the end products of acquisition, preventive conservation, arrangement and description, access and public programming.

How did you become a curator of images and paintings?

I have been fascinated with photography and images for most of my life. I studied history, archives administration and records management at the University of British Columbia and the University of Alberta. I have been privileged to work with hundreds of thousands of photographs in archival and museum collections, first as a volunteer at the North Vancouver Museum and Archives (1972–1980) and then as an archivist at the City of Vancouver Archives (1976–1980), the Glenbow Museum (1980–1983) and the Whyte Museum of the Canadian Rockies (1983–2006). I joined the BC Archives in 2007 as manager of access services and moved to the curator position to resume my love affair with collections, context and sharing these fabulous resources with others. Every day I learn from the interconnectedness of collections and from my colleagues.

What do you do as a curator of images and paintings?

I have a great job! I investigate possible acquisitions and help bring them to fruition. I conduct research so that we can advance scholarship and share our discoveries with researchers, exhibition enthusiasts, students, the people of BC and our visitors from around the world. Much of my work involves putting people in touch with works of art and photographs so that they can make their own discoveries. My job is really about enabling others and I am constantly amazed by the points of view, knowledge and passion of the people who access our collections.